BEHIND THE LENS

It started with a movie. I was just a kid the first time I watched Cars — Lightning McQueen tearing around Radiator Springs, the sound of engines, the colors, the personalities baked into every body panel. Something clicked. Cars weren't just machines to me after that. They had attitude. They had a soul.

Then came Fast and Furious. The neon under the chassis, the late-night meets, the way the camera treated each car like a main character — that's when the obsession really took hold. I'd pause scenes just to study how the light wrapped around the paint, how a low angle made a car look ten feet tall. I didn't know it yet, but I was already learning how to shoot.

I'm 15 now, and what used to be cartoons and movie posters on my wall has turned into a camera in my hand and a real plan. Tri City Media is me chasing that exact feeling — the cinematic, larger-than-life energy that made me fall in love with cars in the first place — and giving it back to the people in my city building something they're proud of.

Every shoot is treated like a movie set. Lighting is intentional. Compositions are deliberate. The edit is unmistakable. Slammed daily drivers, drift cars sliding sideways through industrial parks, late-night runs under streetlights — whatever the build, the goal is the same: make it look like the poster I would've hung on my wall as a kid.

This is a dream I'm building in real time. If you've got a car worth showing off — let's make something that lives forever.